Graduate Diploma in Object Conservation West Dean

Conservation Studies

Graduate Diploma Conservation Studies

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Award: Graduate Diploma in Conservation Studies
Duration: 1 academic year, full time
School: School of Conservation
Campus: West Dean
Scholarships and bursaries: See available funding

The Graduate Diploma (Level 6) is the start of your transition into Conservation Studies. The Graduate Diploma provides the theoretical and practical knowledge and experience necessary to start your career as a conservator and to begin to develop an area of specialisation.

The programme is designed to be accessible from both the humanities and science study backgrounds. Students choose one of the pathway specialisms below, yet elements of interdisciplinary work are still involved. 

Kirsten Ramsay of the BBC's The Repair Shop studied Conservation of Ceramics between 1989-1991. Listen to her experience and memories of studying at West Dean.

Specialisms

Students on our Graduate Diploma in Conservation Studies programme choose from one of five specialisms

Conservation of Books

Books & Library Materials

Develop the skills and competences to work towards becoming a professional book conservator.
Learn more
Ceramic Conservation

Ceramics

Further your skills and work towards becoming a professional ceramics conservator.
Learn more
Clock Object Conservation

Clocks

Develop the skills and competences to work towards becoming a professional horologist or horological conservator.
Learn more
Conservation of Furniture

Furniture

Develop the skills and competences to work towards becoming a professional conservator of furniture and related objects
Learn more
Conservation of Metalwork

Metalwork

Develop well-rounded metalworking skills and theory to enhance your employment prospects and gain the skills and competencies to work towards becoming a metalwork conservator.
Learn more

Why study Conservation at West Dean

Unique learning environment

  • Develop practical skills in conservation and restoration, working on cultural objects from our archive and client/industry submissions 
  • Learn specialised techniques from guest lecturers and industry professionals
  • Expert tuition with a high tutor: student ratio
  • Interdisciplinary environment - access to specialist equipment and workshops, including our state-of-the-art analytical laboratory, library, forge, pottery studio and photography areas
  • Field trips to conservation studios, historic sites and exhibitions
  • Build industry contacts
  • Graduate with highly sought after skills 

Course structure

You will be introduced to conservation documentation, conservation technique and application, materials science and how history and context informs decision-making in conservation. As the year progresses, you will undertake more complex conservation projects and by the end of the course you will have acquired a repertoire of conservation treatments and gained an understanding and appreciation of the history and cultural context of objects in your chosen pathway.

The content of this programme has been developed in line with The Institute of Conservation’s Professional Standards in Conservation and the UK Quality Code for Higher Education.

Course units

Term 1 (12 weeks)

 

Term 2 (12 weeks)

 

Term 3 (12 weeks)

 

G1A

Introducing Professional Practice - 30 credits

Christmas Vacation

 

 

G2A

Developing Professional Practice - 30 credits

Easter Vacation

 

 

G3A Research through Practice - comprising Practical, Scientific and Professional Elements - 40 credits

 

 

Summative Assessment

 

 

G1B

Introducing Conservation Science - 5 credits

G2B

Conservation Science - Development and Practice - 5 credits

G1C

Contextual and Professional Studies - 10 credits

G1C

Contextual and Professional Studies continued

Course features

Unique features

  • West Dean has a large and diverse collection comprising objects from all disciplines. The collections are used by students to apply their knowledge to real-life problems
  • The immersive environment encourages joint learning and interdisciplinary practice
  • Regular visiting lecturers and part time tutors from public and private institutions
  • Field trips to conservation studios, historic sites and exhibitions
  • The programme has a high staff to student ratio
  • The 36 week programme has workshop access 8.30am – 9pm, seven days a week which is exceptional in a higher education environment

Contextual and professional studies

The social life of objects, places and practices starts well before they come into the sphere of conservation and, in most cases, will extend far beyond that point. Why do some things become our responsibility whilst others are discarded, and how do we decide what the right thing to do while they are in our care is? Learning how to formulate answers to questions like these is the aim of the Contextual and Professional Studies unit. These and other key questions driving conservation practice are explored by analysing how people currently suggest conservation should/should not be done, how these approaches have developed and the key concepts underpinning these approaches. Carrying out this analysis allows us to start to recognise the inherently social nature of conservation and the complex web of factors that influence the choices we make as conservators – and the influence we, in turn, can have on society/ies.

One of the challenges posed by acknowledging the socially constructed nature of conservation is working out how to justify our decisions in relation to objects. We take this as our starting point to understand why some objects matter (have value) to people and why some objects do not. We then assess to what extent the current rules agreed upon by the majority of conservators (codes of ethics and professional guidelines) help us in deciding how best to preserve or enhance the values of the objects that are our responsibility. Covering select topical themes in conservation helps us to understand the evolving nature of the issues with which we are presented, and how, in turn, conservation practice adjusts over time and contexts to deal with these. Content is delivered through a mix of lectures, recommended reading, seminars and visits.

Teaching & learning

Teaching

On the Graduate Diploma, you typically have around 24 contact hours per week, typically consisting of:

  • 6 hours of lectures or demonstrations
  • 1 hour of seminars and peer to peer presentations
  • 14 hours of supervised workshop practicals
  • 1 hour of one-to-one meetings/tutorials

Independent learning

When not attending lectures, seminars, workshops or other timetabled sessions, you will be expected to continue learning independently through self-study for approximately 13-14 hours per week. Typically, this will involve:

  • Reading journal articles and books
  • Working on individual and group projects
  • Undertaking research in the library
  • Preparing coursework assignments and presentations

Overall workload

Graduate Diploma: 60% of your time is spent in scheduled teaching and learning activity
Scheduled teaching and learning: 720 hours
Independent learning: 480 hours

International study trips

The College continues to monitor travel advice from the Foreign and Commonwealth Office with regards to any international travel. At this time, all international travel which includes study trips will be subject to agreement by the College.

term dates

Assessment

Assignments give students the opportunity to enhance and deepen their knowledge and cover the three broad programme aims: practical, theoretical and professional.  Practical and professional practice assignments usually involve the conservation of objects and require evidence of critical evaluation and application of theory to object analysis, treatment option evaluation, the application of treatments, appropriate documentation and subsequent reflection to feed into future practice.

Theoretical assignments include written academic work such as essays, reports, self-assessments and reflective practice related to practical, science and professional and contextual units.  Other assignments include blog, poster and presentations.

Assessments provide evidence that students have achieved the learning outcomes of the course units. All assessment is formalised in the form of grades, as set out in the Student Assessment Policy. Assessment in each specialism is reviewed and moderated by an external examiner.

Practical work is assessed on a continuous basis by specialism specific staff and comments are fed to students informally on an on-going basis through discussion, one-to-one bench tutorials and private tutorials.

Course specification

Facilities

Graduate Diploma Conservation Studies students have access professional workshops and studios seven days a week. Specialist equipment and facilities include the analytical laboratory, forge, pottery studio and dedicated Arts and Conservation library.

School of Conservation West Dean

School of Conservation

Our School of Conservation offers a dynamic, internationally connected and respected learning environment where students benefit from the unique opportunity to study in a working historic house. Students enjoy access to well-equipped professional workshops, studios, and a state-of-the-art analytical laboratory.

School of Conservation
Careers in Conservation

Careers & Alumni

On completion of the Graduate Diploma, many students go on to study the MA Conservation Studies which includes a six-week work placement to broaden practical experience, build contacts and gain transferable skills. Others pursue entry-level positions in the heritage sector. The College’s extensive links with museums, conservators and professional bodies in the heritage sector open up an impressive range of work placement opportunities.

Graduates have had placements at, or gone on to work with:

  • Amsterdam City Archives
  • The Art Institute of Chicago
  • Bodleian Library
  • Brighton Pavilion
  • British Museum
  • Fishbourne Roman Palace
  • Heritage Blacksmith Partnership
  • Imperial War Museum,
  • Lambeth Palace Library
  • Leiden University Library
  • Library of Congress
  • Maritime Museum Rotterdam
  • National Museum of American History
  • Notarial Archives
  • Malta
  • Oxford Conservation Consortium
  • Richard Rogers Conservation
  • Royal Collection Trust
  • Royal Museums Greenwich
  • Smithsonian National Museum of American History
  • Victoria and Albert Museum (V&A),
  • Yale University Library.
Alumni Stories

Entry requirements

  • Experience or an interest in object conservation and cultural heritage and some knowledge and understanding of the craft skills involved in making objects in your chosen specialism
  • Degree or qualification at an equivalent level to the second year of undergraduate study (e.g. HND, FdA or DipHE). Alternatively, accreditation of prior experiential learning (APEL) will be considered for those who have been out of formal education for some years and are over 21, who do not meet the general (minimum) entrance requirements, but who can demonstrate their capacity for degree-level work in other ways
  • E portfolio of work related to application (optional at point of application. A portfolio will be requested if shortlisted for an interview)
  • Academic writing example (optional at point of application. An academic writing sample will be requested if shortlisted for an interview)
  • International students will require English language CEFR (Common European Framework of Reference for Languages) level B2 or IELTS 6.5 or above
  • If you fulfil the entry requirements, you will be asked to complete a practical test, in your own time, and invited to visit the College for an interview with a programme tutor and another member of academic staff

Fees & funding

2025/26 Course Fees - UK & International Students

  • £5,066.6 per term (£15,200 per academic year)

Lunch, accommodation and other living expenses are additional. Find out more

A £250 course fee and £200 accommodation deposit (if residential) is required to secure your place. Details will be provided to you in your offer. Fees are billed termly in advance. Please see the Terms and Conditions for further information.

We may routinely increase our course fees from year to year for one-year courses as well as courses lasting two or more years and may review and change such course fees without notice.

Funding
You may be eligible to apply for a Student Loan to cover course fees and/or maintenance; more information can be found on the Government Student Finance website.
Scholarships and Bursaries are also available based on individual need.

Scholarships & Bursaries

FAQs

Can I study a mixture of the Conservation specialisms on this course?

Students on the Graduate Diploma Conservation Studies choose one of the following pathways to specialise in when they apply: 

  • Books & Library Materials
  • Ceramics
  • Clocks
  • Furniture
  • Metalwork

If you are interested in a broader studies, please consider Graduate Diploma in Conservation Care and Management for Collections course.

I am interested in Conservation but don’t meet the academic entry requirements or have been out of formal education for a while. Can I still apply?

Accreditation of prior experiential learning (APEL) will be considered. In these cases, applicants would need to demonstrate their capacity for degree-level work through a portfolio of work, prior learning and an interest or experience in object conservation and cultural heritage. 

What would you expect to see in a Conservation portfolio?

When putting together your portfolio for the Graduate Diploma Conservation Studies in any discipline, we recommend including:  

  • Evidence of manual dexterity, focus and enjoyment of practical work
  • Some familiarity of working with the materials in your area of interest
  • Any conservation related activities
  • Any visits to conservation studios and specialist craft workshops

As part of the application process, you will also be set some practical tasks.  

Portfolio advice

What is involved in the practical tasks?

You are asked to complete some practical tasks in your own time, which are sent in prior to the interview and will be discussed with you at the interview. You will be asked to take some video clips recording your working through these tasks. This is so we can see that you have the right level of mental agility and manual dexterity to undertake the practical elements of the course. 

Ask a question

Need more information? Have a question? Speak to our course advisors

Email: [email protected]
Phone: +44 01243 818 300 and select option 1 

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Commendations

Commendations from the University of Sussex include:

"This re-validation further builds on the success of the courses, which have been refined over a number of years to produce excellent results."

"The professional networking opportunities provided through external collaborations and the opportunities for students to disseminate their work to an external audience."

"The approach to fostering a collaborative, creative student community in line with Edward James’ vision for the College."

Tutors

Lorna Calcutt Ceramics Tutor at West Dean College of Arts and Conservation

Lorna Calcutt MA ACR

Programme Coordinator and Subject Leader for Ceramics (and Related Materials)

Lorna has been a tutor then Subject Leader at West Dean College of Arts and Conservation for 16 years and prior to that was employed as a conservator in national institutions and in the private sector.

Malcom Archer Horology Subject Leader at West Dean College of Arts and Conservation

Malcolm Archer FBHI

Subject Leader, Clocks (and Related Objects)

Malcolm's extensive experience in private practice, as well as the heritage sector/museums, lies behind his in-depth understanding of the profession. He brings a comprehensive knowledge of traditional craft skills, theory and contextual history. He also has an interest in new and innovative ways of applying conservation to mechanical objects.

Maudie Casserly

Maudie Casserly MA

Subject Tutor, Books and Library materials

Maudie is a book and paper conservator and bookbinder. Having worked a various institutions and companies over the years, including the Victoria & Albert Museum and The National Archives, Maudie now works for herself, taking on commissions from museums, libraries, collections and private individuals. In additional to practical conservation and binding, Maudie also teaches a range of online classes in bookbinding  to students all over the world.

David Dorning Subject Tutor at West Dean College of Arts and Conservation

David Dorning MA ACR FIIC

Subject Tutor, Conservation Science

David is a book and paper conservation specialist who has tutored more than a generation of book conservators since he began as a tutor in book conservation at West Dean College in 1988. He has taught science for conservators in the UK, USA and Europe, established the analytical laboratory at West Dean College in 2007 and has been the college's science tutor for 25 years.

Tim Hughes, clocks tutor at West Dean College

Tim Hughes

Subject Tutor, Clocks (and Related Objects)

Tim Hughes MBHI, clock maker, trained at West Dean College and works as a clockmaker and scientific instrument restorer, and as external consultant at Bellmans Auctioneers. He has received several awards, including the Trustees' Prize while at West Dean College and a QEST Scholarship. 

Daniel Pateman specialist teacher in furniture design and craft at West Dean College

Daniel Pateman

Subject Leader, Furniture (and Related objects)

Daniel designs and makes furniture to commission inspired by the principles of the arts and crafts movement which had a profound influence whilst serving his apprenticeship at the Edward Barnsley Workshop in Hampshire. He has an affinity for using hand tools and how they creatively contribute to the making process.

Shayne Rivers Collections Care Subject Leader at West Dean College of Arts and Conservation

Shayne Rivers MA FIIC

Research Skills and Cross-curriculum Practice

Shayne Rivers is an acknowledged world expert in the conservation of furniture and Asian lacquer. She has lectured on conservation in the USA, Australia, Japan, Europe and the UK, and has been involved in the education of the next generation of conservators throughout her professional career.

Jasmina Vučković, ceramics tutor at West Dean College

Jasmina Vučković MA ACR

Subject Tutor, Ceramics (and Related Materials)

Jasmina Vuckovic is Subject Tutor at West Dean College of Arts and Conservation. She has been a visiting lecturer at West Dean College of Arts and Conservation prior to becoming a subject tutor in 2018. Jasmina is a member of ICOM and accredited member of Icon.

Anna Guy in the Science Lab at West Dean College

Anna Guy

Conservation Science Laboratory Tutor

Anna studied organic chemistry in Italy and her interest in academic research brought her to the UK. Her passion for research and art brought her to West Dean College, a very special and unique place where applied science meets cultural heritage.

Deborah Lee

Deborah Lee is a visiting lecturer at West Dean and freelance Metals Conservator, specialising in Arms and Armour.

Kate Jennings - Metals tutor at West Dean College of Arts and Conservation

Kate Jennings

Subject Leader, Conservation Studies specialising in Metalwork

Kate's background includes practicing as a solicitor before making a career change to train as a blacksmith and specialist Metals Conservator. She earned an MA in Conservation Studies from West Dean, following which she founded a small business specializing in the conservation of forged and architectural metalwork.

Jonathan Farley, books tutor at West Dean College

Jonathan Farley MA ACR

Subject Tutor, Books and Library Materials

Jonathan is a Library and Archives Conservator with over 40 years experience. Jonathan has worked for various institutions such as the National Archive, Hampshire Record Office and The University of Hull. Jonathan is an accredited member of ICON (the Institute for Conservation).

Phil Lyons, Subject Tutor for furniture courses at West Dean

Phil Lyons BA BAFRA

Subject Tutor, Furniture Conservation

Phil is a BAFRA accredited conservator/restorer based in Buckinghamshire. He has twenty years experience in private practice running a small business providing a professional conservation/restoration service. 

Victoria Stevens MA ACR FIIC

Subject Leader, Books and Library Materials

Victoria has worked in written heritage collections for over 25 years, mainly as a library and archive conservator and collections care adviser but latterly as a learning and engagement lead, a perfect complement to her overall collections work. In 2023 she was awarded a Fellowship of the International Institute of Conservation of Historic and Artistic Works.  A proud advocate for the heritage profession, she not only serves as a Trustee of the National Manuscripts Conservation Trust but also as an Arts Council Museum accreditation mentor and an Institute of Conservation accreditation assessor.