Ref: SLW35823
Work between direct plein air drawing and painting out in the College grounds and studio-based processes using a variety of collage and painting techniques.
You will be introduced to different ways of approaching working from nature, starting by looking at a range of artists and painting languages, with a discussion about the possibilities through the open approach you will be encouraged to take, out in the landscape the following day.
On the first day, you will be working predominantly from life, initially working in black and white only and finding interesting stimulus in the natural structures, light and shade around you, making multiple quick drawings in response. Using a variety of materials, including soft pencil, charcoal, thick acrylic and thin washes, as well as exploring experimental approaches to drawing and mark making, you will build up a library of resource material for the rest of the course. You will continue to work this way and start incorporating colour in the afternoon.
On the second day, you will start using the visual library you accumulated on the first day, as both direct material and as starting points for work to be made back in the studio. You will be introduced to collage, paint transfer and glazing and layering processes. You will be making a series of small scale quick collages, exploring a playful approach and the idea of thinking of them as visual poetry.
On the third day, you will carry through the aspects of the work made on the second day that seemed to most interest or excite you into making one or more large collage paintings. These can be black and white or colour, depending on the direction of your interests. There will be several practical demonstrations throughout the course.
By the end of the course, you will have investigated different approaches to experimental drawing from nature. You will have explored the potential of collage and painting glazing techniques for dynamic image making, and how space can be constructed in a two-dimensional artwork. You will have developed a better understanding of the spatial relationships of forms in relation to the picture plane as a visual language. Also, you will have learnt how an artwork can have its own internal visual logic.
Please bring weather appropriate clothing for the conditions forecast. There will also be a studio set-up of plants and foliage in case of poor weather conditions or for anyone for whom getting out into the grounds is difficult.
On this course, the College will supply some of the materials, including some acrylic paint, charcoal, masking tape, PVA glue, newsprint and cartridge paper to share amongst the group.
Available from shop:
Please wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear (no sandals or open toes).
Arrival day
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration
6.45pm: Welcome, followed by dinner (included)
8 - 9pm: First teaching session, attendance is essential
Daily timetable
Course teaching 9.15am - 5pm (lunch included)
Dinner: from 6.30pm (included for residential students)
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed
Departure day
Course teaching: 9.15am - 3pm (lunch included)
Residential students will need to check out of rooms by 10am
Please note, the tutor may make slight variations to the daily timetable as required
Joe Packer studied painting at The RCA. He is a Mentor for Turps Correspondence, and Offsite Hastings courses, and a tutor for Emily Ball at Seawhite. He was awarded The Contemporary British Painting Prize in 2018. He exhibits widely including work in The Towner collection. He is a committee member for Contemporary British Painting.
Residential option available. Find out accommodation costs and how to book here.
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