Kate Hopkins
Kate Hopkins is a painter with still life at the heart of her practice. Always working from direct observation, she has a particular interest in visual perception, which underpins her teaching.
Ref: SLW35685
Understanding of visual perception has shifted dramatically in recent years, with the revolution in neuroscience. This course is designed to develop your awareness of the surprising issues of our perception of size, shape and colour in representational painting.
This practical still life painting course explores strategies that inform working from direct observation, and examines some unexpected phenomena about how we perceive the world. Through painting exercises and talks, alongside a still life project, you will scrutinise scale, shape, tone and colour, in the light shed by the psychology and neuroscience of visual perception.
This course is designed to help you set up and respond in more nuanced ways to a still life practice, by offering perceptual insights, with the potential for inspirinig new ideas. You will learn to carefully and effectively observe relationships between objects and the space they occupy. Drawing strategies will be explored with paint, leading to a thorough examination of colour: hue, tone and saturation, as well as perception of colour – considering relativity, as well as the important role of expectation in our perception of colour.
Structured studies will inform how colour can be used to create illusions of light and form – a pictorial colour space, and to consider colour relationships, perceived and on the palette, as well as illusory edges and other phenomena fascinating to artists.
This course proposes strategies that inform painting from observation and is inspired by ‘Eye and Brain’ by Richard L. Gregory, explaining “how we see and what we see, including the strange phenomena of illusions”, alongside more recent developments in cognitive neuroscience.
On this course, the tutor will supply some of the materials, including primed paper, suitable for studies, and coloured card/paper for still life sets. On this course, the College will supply some of the materials, including flowers and foliage, and fruit and vegetables.
Available from shop: A good variety of art materials including oil paints, brushes, palette knives, palettes, solvent, canvases or boards to paint on
Please wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear (no sandals or open toes).
Arrival day
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration
6.45pm: Welcome, followed by dinner (included)
8 - 9pm: First teaching session, attendance is essential
Daily timetable
Course teaching 9.15am - 5pm (lunch included)
Dinner: from 6.30pm (included for residential students)
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed
Departure day
Course teaching: 9.15am - 3pm (lunch included)
Residential students will need to check out of rooms by 10am
Please note, the tutor may make slight variations to the daily timetable as required
Kate Hopkins is a painter with still life at the heart of her practice. Always working from direct observation, she has a particular interest in visual perception, which underpins her teaching.
Residential option available. Find out accommodation costs and how to book here.
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