Landscape painting – Japanese influence on European painting with Nick Bodimeade

Ref: S3D35540

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About this course

A practical drawing and painting course exploring the influence of Japanese arts on European landscape painting. Working on paper and board with acrylic paint and making use of the gardens and gounds of West Dean.

Course Description

On this practical course you will produce a substantial body of experimental drawing in charcoal, brush drawings in ink, and acrylic paintings on board and paper.

You will be guided in your exploration of the innovations in pictorial space, composition, cropping, and often unusual viewpoints found in the Japanese art that so influenced European painters such as Claude Monet, Edgar Degas, Mary Cassat, Henride Toulouse-Lautrec and Vincent van Gogh.

Each day will begin with a slide show looking at a particular aspect of this relationship of influence. There will be one-to-one and group tuition throughout, with plenty of discussion and critique. There will be practical demonstrations in both drawing and painting, and opportunities to photograph source material from the gardens and environs of West Dean.

The course will aim to establish a process of woking in series where making simple comparative judgements help to make work where learning and progress is both clear and personal.

By the end of the course, you will have produced a significant body of atmospheric and expressive landscape paintings. You will have gained confidence in making use of Japanese art influences in your own practice. You will also have become increasingly comfortable in making personal, critical judgements and taking control of the direction of your painting.

Course Materials

Included

On this course the College will supply some of the materials, including eight 28cm x 36cm MDF boards for painting, plus some acrylic primer.

What students need to bring

  • A camera or camera phone
  • A laptop or tablet to work from. This is to save printing out photographs and enable easy compositional exploration of images on screen.
  • A broad range of brushes to include some baker brushes (flat pastry types), up to 50mm wide (cheap and available at the shop)
  • Black ink
  • A range of reasonable quality acrylic paint
  • Sketchbook and notepad
  • Drawing materials – including thick charcoal and a plastic type eraser

Available to buy

Available from shop: A good variety of art materials, including brushes, baker brushes – 20mm, 30mm, 40mm and 50mm wide, black ink, acrylic paints, paper, sketchbooks, notepads, thick charcoal and plastic erasers

Available from tutor: The tutor will supply paper and charcoal – available for purchase at cost price.

Additional information

Please wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear (no sandals or open toes).

Timetable

Arrival Day - this is the first date listed above

Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.

6.45pm: Welcome, followed by dinner (included).

8 - 9pm: First teaching session, attendance is essential.

Daily timetable

Classes 9.15 - 5pm, lunch is included.

From 6.30pm: Dinner (included for residential students).

Evening working - students may have access to workshops until 9pm, but only with their tutor's permission and provided any health and safety guidelines are observed.

Last day

Classes 9.15am - 3pm, lunch is included.

Residential students are to vacate their rooms by 10am please.

(This timetable is for courses of more than one day in length. The tutor may make slight variations)

General Information

Tutors

Nick Bodimeade

Nick trained at Worthing and Wolverhampton art colleges, has taught at many UK schools, colleges and universties at all levels up to MA. He exhibits with St Annes Galleries, Lewes. Zimmer Stewart Gallery, Arundel and the Porthminster Gallery, St Ives. Nick's work is held in many public and private collections including, The Contemporary Art Society, The Landmark Trust and the Government Art Collection. He is a Trustee of Fabrica, Brighton's leading Contemporary Art Gallery.

Accommodation

Residential option available. Find out accommodation costs and how to book here.

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Further study options

Take the next step in your creative practice, with foundation level to Masters in Fine Art study. 

Depending on your experience, start with an Online Foundation Certificate in Art and Design (one year, part-time), a Foundation Diploma in Art and Design made up of 10 short courses taken over two years (part-time) or advance your learning with our BA (Hons) Art and Contemporary Craft: Materials, Making, and Place (six years part-time). All will help you develop core skills, find direction in your practice and build an impressive portfolio in preparation for artist opportunities or higher-level study. See all degree and diploma courses.