Tutors design bespoke bound books for Booker Prize 2024

Four Tutors from the West Dean Books Department have been involved in the highly prestigious 2024 Booker Prize for Fiction bookbinding competition. This runs alongside the Booker shortlist of six books, and each binder was given one title to design and bind with the Booker winner receiving the bound copy of their book.

As Fellows from the Designer Bookbinders Society, FdA Books and Bindings Lecturers Kate Holland, Mark Cockram and Nicky Oliver, Graduate Diploma Conservation Studies Lecturer Glenn Bartley were all selected to design and bind one of the shortlisted books.

The one-of-a-kind books were designed and made between the shortlist announcement and winner ceremony. Each book was the result of around 150 hours of dedicated work and the process, involving at least 25 distinct stages, including the decoration of the edges of the pages and the final lettering, would normally take up to four months. This year it took around two.

On Tuesday 12 November 2024 at a winner ceremony in Old Billingsgate London, it was announced that Orbital by Samantha Harvey, designed by Glenn Malkin, had won the prize.

Congratulations to the shortlisted designers, and winner, on producing such beautiful editions!

Books Subject Leader, Victoria Stevens, commented, "It is hugely beneficial to have so many great designers and crafts people on our teaching staff in Books. Their involvement in the Booker Prize is both a testimony to their status in the profession and an incredible inspiration to the students."

Glenn Bartley, Head of the Royal Bindery and Visiting Lecturer on the Graduate Diploma Conservation Studies programme, added, "It was a great evening...the authors loved their books."

Percival Everett’s James by designer Kate Holland. © Ben Watkins for the Booker Prize Foundation

Kate Holland

Kate Holland is a multi award-winning artist bookbinder and educator, specialising in contemporary fine bindings. She uses traditional materials and techniques to produce a unique, modern binding that reflects the text, illustrations and typeface of the book. 

She has books in the Library of the Human Imagination as well as the V&A, British, Bodleian and Yale University Libraries and many public and private collections internationally.

Image: Percival Everett’s James by designer Kate Holland. © Ben Watkins for the Booker Prize Foundation

Charlotte Wood’s Stone Yard Devotional by designer Mark Cockram. © Ben Watkins for the Booker Prize Foundation

Mark Cockram

Mark opened Studio Five, London in 2003. His diverse work is represented in public and private collections around the world and since being elected Fellow of Designer Bookbinders he has been a regular Man Booker Binder.

Working and teaching in the UK, Europe, China, India, the Philippines and Japan, Mark enjoys blending the contemporary with the traditional to realise his work.

Image: Charlotte Wood’s Stone Yard Devotional by designer Mark Cockram. © Ben Watkins for the Booker Prize Foundation

Rachel Kushner’s Creation Lake by designer Nicky Oliver. © Ben Watkins for the Booker Prize Foundation

Nicky Oliver

Nicky Oliver runs Black Fox Bindery, based in North London. She has combined her knowledge from an art education in illustration and surface design with professional bookbinding craft skills gained during 15 years of commercial experience to produce beautiful design bindings, boxes, limited editions and more.

Image: Rachel Kushner’s Creation Lake by designer Nicky Oliver. © Ben Watkins for the Booker Prize Foundation

Bespoke bound copy of Anne Michael’s Held by designer Glenn Bartley © Ben Watkins for the Booker Prize Foundation

Glenn Bartley

Glenn is a professional bookbinder and gold finisher with work in many collections, both private and public, in the United Kingdom, USA, Canada, South Africa, France and Germany.

After 26 years of self-employment, in March 2017 Glenn embarked on a new venture as Bookbinder at The Royal Bindery in Windsor Castle. Within two years he was promoted to the position of Senior Bookbinder and subsequently Head of the Royal Bindery. Glenn has responsibility for the care and conservation of books and manuscripts in all areas of the Royal Collection Trust. 

Image: Anne Michael’s Held by designer Glenn Bartley © Ben Watkins for the Booker Prize Foundation

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